PWF #
Name
Painting with Fire: A History in GANs by Bard Ionson
Contract Address
Token ID
169
Token Standard
ERC-721
Description
The digital artifacts are still present and appear like green screen output from the 1970s. The model continues to refine and sometimes regress.
Channeling the fire myths of the world, Prometheus, the Phoenix, the gods of the sun and flame. A story of technology brought to humans; to myths of destruction and rebirth. To be immortal; to be a god; it is always a paradox of fire and technology. The morality of the fire is always in question but we desire it and fear it. And yet it has changed us, we have learned so much since we first touched fire. We used it to destroy the wood, smelt the metal and build the chip. And now we teach and show the fire what we know; what we create and our reflection is there telling us our faults. The GAN is but a single neuron in a blazing star; a greater fire is coming.
One of 200 unique pieces of art in Painting With Fire: A History in GANs. Exploring the history of generative adversarial networks GAN as represented by fire. https://bardionson.com/painting-with-fire
DCGAN - Radford, Alec; Metz, Luke; Chintala, Soumith . "Unsupervised Representation Learning with Deep Convolutional Generative Adversarial Networks"
Yuma Kishi creates with GAN|2019|https://superrare.com/artwork/meta-(edition-34)-4124
Properties
Layout
grid
Ratio
square
GAN Resolution
128
Technique
normal Inference
epoch
34
GAN type
DCGAN / Art-dcgan
Historic Event
Yuma Kishi GAN 2019
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