Description
[ ERRORS ] explores the technical parallels of contemporary AI art with the early developments of render engines of the 90’s and takes a closer look on the parallels of Trompe-l’œil visual deception thru the new decade of machine learning algorithms inducing the Trompe-l’machine, ( the last trick of the machine ). Conclusively establishing a point of development where censorship is still not affecting the use of historical artwork datasets.